Free PDF Clockwork Angel, by Cassandra Clare

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Clockwork Angel, by Cassandra Clare

Free PDF Clockwork Angel, by Cassandra Clare

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After her aunt passes away, American Tessa Gray looks forward to starting a new life with her brother in Victorian England. Little does Tessa know that when she travels to London, she will discover new skills and an underground world filled with shadowhunters, warlocks, vampires, and the occult. Dark secrets will be revealed, and her life and soul will be in danger from a mysterious figure called the Magister and all who call him master. Will her new friends save her or betray her for her newfound powers? Artist Baek has done an excellent job of adapting the complex plot of the first book in Clare’s popular Infernal Devices series into a completely enjoyable manwha. The artwork is expressive and dynamic, the pacing is quick, and the dialogue conveys all of the snarkiness of the original book. This is an excellent companion to the original novels and could be a helpful starting point for weaker readers who are fans of steampunk, fantasy, and paranormal reads. Grades 9-12. --Candice Mack

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About the Author

Cassandra Clare vaulted onto the publishing scene with her first YA novel, City of Bones, and has published three other bestselling novels in The Mortal Instruments series. First published in August of 2010, Clockwork Angel marked the first installment of Cassandra's The Infernal Devices trilogy and debuted at #1 on the New York Times list.

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Product details

Series: Infernal Devices (Book 1)

Paperback: 256 pages

Publisher: Yen Press; 9/30/12 edition (October 30, 2012)

Language: English

ISBN-10: 0316200980

ISBN-13: 978-0316200981

Product Dimensions:

6 x 1 x 8.5 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

64 customer reviews

Amazon Best Sellers Rank:

#220,484 in Books (See Top 100 in Books)

I want to start off by saying that I have never read any type of Manga or comic type book. So I don't know all the correct words or whatever. But I will say that I loved reading this. Clockwork Angel is one of my all time favorite books. I have re-read and listened to the audiobook so many times. I wanted to try something else, so I picked this up. I liked it so much I have already ordered the rest of this series and I am looking for more Manga books to read.I highly recommended reading the book first. if you haven't, some things might get lost in translation. I didn't miss anything because I knew exactly what was being left out but I have read a few reviews that complained about that. So take that into consideration.

The Clockwork Angel graphic novel is a book that has sort of fluttered around the periphery of my awareness for awhile now, but overwhelmed with LIFE and reading commitments this year, it was a book that managed to slip through the cracks of my over-saturated TBR. And then I finished Clockwork Princess, and was doing my post-"Ohthefeels!" ritual that follows the end of any Cassandra Clare book which consists of trawling through the TID fanart that deviantART has to offer, when I was suddenly reminded that "Hey! There's a graphic novel! Lots and lots of Will, Jem & Tessa. I think I might want it. I think I might need it."I'm always a little apprehensive of seeing a beloved story come to life visually on paper or screen. What if the characters don't look like I imagined? What if the artist/actor/director doesn't grasp the subtleties and nuances of the characters and their relationships? What if they leave out or change vital pieces of the story? What if it's just done poorly? Will it forever change my mental image of the the way I imagined the world and the characters -- the way I look at the book?It's a risk. It might suck. It's inevitable. Then, that'll suck too. And maybe.So with all of those questions and fears hovering in the forefront of my mind, what'd I think of this graphic novel?That it was awesome. HyeKyung Baek brought Tessa, Will, and Jem's stories to life beautifully and brilliantly... and sometimes terrifyingly and creepily. It's like Baek took a peek inside my mind and translated my imaginings of Shadowhunters & Co. to the page, capturing them perfectly. Sure, this version of the story is an abbreviated one, but I am impressed with how much of the story is crammed into 250+ pages, how much detail there is, how rich the character and relationship development is. I got to see with a new perspective where certain plot points had taken root, details I had missed, and tidbits I had forgotten.Also, another random observation I'll throw in for free. Being exposed to this story again helped me remember just how much interaction there was between Jem and Tessa in the first book. When I first read Clockwork Angel, I was so hung up on Will ("Aww....look how obviously and tragically tortured you are, and how you cover it up with such reprehensibly cruel behavior! Just let me love you!!!" *Elmyra hug*). I considered Jem to be a romantic foil - a distraction - to the greater love story of Will & Tessa, that I didn't really pay as much attention to Jem & Tessa's moments. They're quiet moments, but meaningful ones with a lot of depth."Oh, the feels!"Suffice it to say that reading the graphic novel makes me want to reread the original novels again now that I know things.Overall. Beautiful, gorgeous, and perfect, The Clockwork Angel graphic novel satisfied my craving to see the Infernal Devices world for myself and gave me the opportunity to live in it a little bit longer, because I'm still not quite ready to leave it just yet.

I have read the mortal instruments and infernal devices and expected to be disappointed. But I found this manga to be rather good. The art work was beautiful and most characters portrayed perfectly. Some details were askew but overall I loved it. I read in a comment that the drawing can at sometimes be "childish" but I need not see it to be so. This is because these drawings are chibi. I did not like how Henry was drawn and thought that even though Charlotte is small she should have looked older and the opposite for mortmain. He was a bit too old an ugly. I love love LOVED Jem! I never cared for will as much but I liked how they show his dark tortured side as well as his kind heart more than Cassy ever did in the first book. Even though this is in black and white the words make you see all the colors in the world of the infernal devices. Highly recommend.

I was really hoping that this book wouldn't ruin the original "Clockwork Angel" book, and I wasn't disappointed. The manga contains the entire novel, which was a huge plus for me, as I didn't want to have to buy several manga novels for one book. There were a few historical notes (The way Jessamine and Tessa wear their hair, for example) that were incorrect, but I'm a major history buff. Also, a few small notes of the book were incorrect (Like Sophie's hair color), but those weren't distracting from the beautiful style of how it was drawn. I wish that certain parts were in the novel (such as when Henry said, "Will! She Bit me!"), but they are not important to the story, so I can understand why they were cut. Over all, this is a very beautifully drawn version of one of my favorite books, and I can't wait for when the manga of "Clockwork Prince" comes out!

Haunting artwork! I understood the story via the graphic novel with more clarity than in the actual book. Concise and dramatic!

I love the TID books so of course I was excited when I found out that they were also coming out in a graphic novel. However I would advise that you pick one or the other. The reason being because I am a book person so I read the books first. And I was a little disappointed with the graphic novel it just doesn't give you the full experience. But if you are a graphic novel person then this would be perfect for you.

This is a fantastic graphic representation of the novel. I'm absolutely in love with it! The art is so beautiful and well done, everything from the character's expressions to the details of the setting, location, dress of each scene...it's just so beautifully done! I would, however, say that it's manga-style art so if you're not a fan of that you might not like this graphic novel as much as I have.They did a great job at shortening the novel for the purpose putting it in illustrated form, so for any first time readers of the story, they will be able to get the essence of the novel without missing on any of the details that make up this amazing story. For those that have already read the novel, this and the upcoming graphic novels are great companions to the books!

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Get Free Ebook , by Maurice Carlos Ruffin

Get Free Ebook , by Maurice Carlos Ruffin

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, by Maurice Carlos Ruffin

Get Free Ebook , by Maurice Carlos Ruffin

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Product details

File Size: 1967 KB

Print Length: 323 pages

Page Numbers Source ISBN: 0525509062

Publisher: One World (January 29, 2019)

Publication Date: January 29, 2019

Sold by: Random House LLC

Language: English

ASIN: B07CWHX97J

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Amazon Best Sellers Rank:

#65,649 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This extraordinary book is essential reading for 2019 and beyond. With echoes that run the gamut from Ellison’s “Invisible Man” to Hawthorne’s “The Birth-Mark” (with multiple touches like references to Zamunda from “Coming To America” for good measure), Ruffin masterfully takes on the issue of race at the core of the American experience. The nameless narrator’s love and concern for protecting his son in a near-future dystopia following oblique references to nuclear war, revolutions, and widespread civil unrest becomes the focal point for considering the issue of race in America. Characters of all races and colors in the book engage the issue in a full, spectrum of complex ways, from protest, to malicious compliance, to defiance, to outright radicalization. Ultimately though, we see through the narrator’s actions and various description of his “fractured psyche” the true cost of the struggle that involves and implicates all of us as we look to the future of America and the world. I highly recommend this book.

One of my books clubs chose this newly released debut, We Cast a Shadow, by Maurice Carlos Ruffin for our March monthly read. The premise was intriguing - a black father who is essentially trying to save his son from himself. In the not too distant future, as the book describes it, somewhere in the United States, race relations has taken a terrible turn from bad to worse. The unnamed narrator decides, for his son - Nigel, to reach his fullest potential he must undergo a extreme surgical procedure coined demelanization to rid himself of the dark, pigmented birthmark on his otherwise fair, biracial skin.The entire book is about the father doing whatever he sees fit to secure the financial means for the procedure for his son. He's in a race against himself that only he seems to be running. Against his wife's, mother's, and even his son's wishes, the narrator stops at nothing to help "protect" his son. The author does a good job building suspense and creating tension. His writing style pushes the reader forward to discover what happens next. Intertwined in this emotion are some very real scenes that reflect current racial issues, like over-policed neighborhoods of color and mass incarceration. Because the novel is set in the future, it is a bit of downer for those of us who'd like to remain optimistic that these kinds of issues will get better, not worse, with time.I wanted to like this book. I really did. I feel as though the author is smart and his idea was worthy of print. However, I could not get into it. I did finish the book, but it wasn't satisfying for me. These dark comedies usually aren't. I don't know if it was just so unbelievable that someone could hate the essence of their being that much or if it was the misplaced satire that turned me off. I couldn't identify with the narrator. I found him to be unsympathetic, and I think, in the end, he got everything he deserved.I would definitely consider reading another book by Ruffin because I do think he's a talented writer. I just think this wasn't the book for me.Recommendation: Fans of dystopian novels may enjoy this book. I think it's always a good idea to give new writers support. Plus, you have the added benefit of seeing them hone their craft as they publish future works.Until next time ... Read on!Regardless of whether I purchase a book, borrow a book, or am gifted one, my ultimate goal is to be honest, fair, and constructive. I hope you've found this review helpful.

Once upon a time in the US, Ralph Ellison won the National Book Award for Invisible Man, a story about the ghost-like existence of a Black man in the US. That was 1953, and here we have an homage to Ellison's book, with a story about a man who declares he not just feels like a ghost, but he has actually become one. In an America with red-lining and gov't programs that were whites only until very recently (even the WWII programs, that supposedly built the middle class - and ensured its whiteness), this book stands out as a future classic. What parents do in the name of love? How much can we hate ourselves without dumping this hatred onto everyone else? How much hatred can we stand coming at us before it becomes us? So many questions. So very thought-provoking. I haven't read another recent book that compares even mildly to this one, save one from another country. I loved this book. I bought myself a hardback copy after reading/listening on Kindle & Audible. This is a book I will want to actually own (completely, without DRM) for years. I'm glad I read it, and I bet you will be too.

Maurice Ruffin tells a great story - really a lot of great stories - beautifully orchestrated into a tale as complex as it is enlightening. This isn’t heavy reading because Mr Ruffin is too good a writer to fall back on dense prose to hide the absence of a story. Yet, the writing is profound as is the story, such a painful story, such a necessary story, and sad because it is both painful and necessary. I’m proud to say that he’s a graduate of my alma mater: The University of New Orleans.

We Cast a Shadow is a fine debut for Ruffin, but has fallen prey to the overblown expectations of the breathless reviews from the industry. The novel drives a stake marking the literary starting point for Ruffin, but unfortunately does little more than that. The writing is neither crisp nor confidant for the first 2/3 of the book and the prose lacks any real inspiration. Southern writers should know better by now. Where Ruffin does hint at his potential is in framing the premise of his tale. Ruffin indeed has a tale to tell, but the novel misses the mark in execution. It lacks context leaving a vacuum of meaning and moral conclusion. Ruffin may indeed be a powerful new voice, but that potential is not realized in this work.

A dystopic and divided future that seems all to present. A father blurs the lines of love and protection. Poetic and painful. A page turner.

Loved the book and found it thought provoking and interesting with its twists and turns. Like the narrative style for cohesion .

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Ebook Who Is Sherlock? Essays on Identity in Modern Holmes Adaptations

Ebook Who Is Sherlock? Essays on Identity in Modern Holmes Adaptations

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Who Is Sherlock? Essays on Identity in Modern Holmes Adaptations

Ebook Who Is Sherlock? Essays on Identity in Modern Holmes Adaptations

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About the Author

Lynnette Porter is a professor in the Humanities and Communication Department at Embry-Riddle Aeronautical University in Daytona Beach, Florida, and has written extensively on television and film.

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Product details

Paperback: 224 pages

Publisher: McFarland & Company (June 16, 2016)

Language: English

ISBN-10: 0786499079

ISBN-13: 978-0786499076

Product Dimensions:

6 x 9 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,645,980 in Books (See Top 100 in Books)

"Who is Sherlock? Essays on Identity in Modern Holmes Adaptations", edited by Lynnette Porter, examines the modern adaptations of Sir Arthur Conan Doyle’s consulting detective – the BBC’s "Sherlock", CBS’s "Elementary", Guy Ritchie’s "Sherlock Holmes" films (starring Robert Downey, Jr.), and "Mr. Holmes" (2015, dir. Bill Condon). When necessary, Porter and her fellow contributors reference everything from Sidney Paget’s original illustrations to William Gillette’s "Sherlock Holmes" 1916 film, the first feature-length film about the detective, up through the popular Jeremy Brett series from the 1980s-1990s. Porter summarizes in her introduction, “Nearly 130 years after the introduction of Sherlock Holmes to readers, the Great Detective’s identity is being questions, deconstructed, and reconstructed more than ever. In this book alone, the authors analyze not only who Sherlock Holmes is or has become, but why and how his identity has been formed in a specific way” (pg. 1).Discussing the role of identity in the "Sherlock" special, “The Abominable Bride,” Felecia McDuffie writes, “Mycroft understands, better than Sherlock does himself, that his detective-persona also has unacknowledged romance embedded in it. Sherlock doesn’t want to be a forensic scientist; he wants to be St. George” (pg. 42). This plays a role in how this version of Holmes casts a Victorian Watson in his hallucination. McDuffie continues, “Sherlock imagines a John as a heroic figure, treating the wounded under difficult conditions. John is his moral compass as Sherlock tries to find his way from what he suspects or fears he is – an addict and a failure – to what he hopes he can be: the ‘gentleman hero,’ the person who can hold himself to a higher moral standard for the people who need him” (pgs. 42-43). In this role Holmes’ most important tool is his mind.Porter examines the portrayal of his Holmes’ thought process and brain attic, arguing, “In canon, as well as in these adaptations, Holmes is defined by the way his brain has been trained to work. Understanding the mind of Sherlock Holmes is key to knowing how Holmes thinks of himself and the ways that everyone else – from friends and family to the general public – perceives him” (pg. 49). Specifically, “Sherlock Holmes’s brain and his thinking process distinguish him from other characters and often make him the object of awe” (pg. 51). While every film finds its own way to demonstrate the superiority of Holmes’s brain and thinking process, Porter argues, “Among adaptations’ visualizations of Holmes’s mind, two stand out as technically superior: the Guy Ritchie-directed "Sherlock Holmes" film series and "Sherlock". They employ sophisticated, innovative uses of filming technologies. (In contrast, "Mr. Holmes" deals with Holmes’s memories through the well-known and often-used flashback, and "Elementary", like canon, most often relies on Holmes’s dialogue to explain his thoughts)” (pgs. 54-55).The visual also plays a role in distinguishing Holmes and his arch nemesis, Moriarty. Heather Powers begins with the Paget drawings and Doyle’s own description, which she describes as “what we would today call ‘profiling’” as Victorians “took for granted that criminals could be identified just by looking at them” (pg. 112). In the original work, “the two characters’ mirroring of one another is clearly indicated by Conan Doyle, although Holmes is on the side of good, whereas Moriarty is his opposite – an evil influence on society. Neither of them possesses the charm that will characterize their later depictions on television or film” (pg. 112). Over time, portrayals of both characters have used more attractive actors to increase their sex appeal, but Powers argues that Moriarty remains the more tantalizing character. She writes, “Because Moriarty’s backstory in canon is limited, he has been largely created by the imaginations of audiences and adaptors. He is a perfect ‘blank slate’ upon whom audiences (and film and television series’ creators) can write their greatest fears and secret desires” (pg. 120). While audiences expect certain elements in Holmes’s identity, Moriarty offers more opportunity for variation.These examinations of identity encourage an examination of Sherlock Holmes’s continued prominence in popular culture. Unfortunately, the book was outdated shortly after McFarland published it as the BBC completed its "Sherlock" series, offering new material for analysis as well as answering the question of Redbeard’s identity. With that caveat in mind, fans of the character and of the recent adaptations will find plenty to enjoy here, though some of the articles read more like well-crafted examinations from fans rather than scholarly works and the BBC series receives the most attention.

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Ebook Injustices: The Supreme Court's History of Comforting the Comfortable and Afflicting the Afflicted, by Ian Millhiser

Ebook Injustices: The Supreme Court's History of Comforting the Comfortable and Afflicting the Afflicted, by Ian Millhiser

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Injustices: The Supreme Court's History of Comforting the Comfortable and Afflicting the Afflicted, by Ian Millhiser

Ebook Injustices: The Supreme Court's History of Comforting the Comfortable and Afflicting the Afflicted, by Ian Millhiser

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Review

"As Ian Millhiser illustrates in his trenchant, persuasive, and profoundly dispiriting book Injustices, the Supreme Court has consistently and unapologetically used its authority to thwart progress and perpetuate inequality."―Slate"Injustices is a powerful indictment of the strongest institution of the United States.... A must-read for all Americans."―Washington Review of Books

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About the Author

Ian Millhiser is a senior fellow at the Center for American Progress and the editor of ThinkProgress Justice. He received his JD from Duke University and clerked for Judge Eric L. Clay of the United States Court of Appeals for the Sixth Circuit. His writings have appeared in a diversity of publications, including the New York Times, the Guardian, the Nation, the American Prospect, and the Yale Law & Policy Review. He lives in Arlington, Virginia.

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Product details

Paperback: 368 pages

Publisher: Bold Type Books; Reprint edition (June 28, 2016)

Language: English

ISBN-10: 1568585691

ISBN-13: 978-1568585697

Product Dimensions:

5.5 x 1 x 8.2 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

66 customer reviews

Amazon Best Sellers Rank:

#419,464 in Books (See Top 100 in Books)

I just want to point out that very few of the bad reviews (including just 1 of 9 that gave the book a single star) are by verified purchasers, nor do they advance actual critiques of the book or its arguments. The idea that the author is expressing some deep-seated hatred for the American working class is patently absurd; as the title suggests, his point is that, for most of its history, the Supreme Court struck down labor laws and other legislation aimed at protecting workers, Africans Americans, and others "afflicted" by injustice. As he shows, the Court's willful misreading of the 14th Amendment, which turned it into an instrument of big business, is especially egregious.

This books is clearly written and the historical context of the periods is a very nice touch. With many works we are told a given decision souly in a modern context without the context of different factions at that time. Or at least some of the factions in power, in this case legal views by conservatives on the supreme court and the well to do. I think the context is helpful to set up the information and decisions.The book is laid out temporally and focuses particularly on some of the biggest/worse decisions the SCOTUS has made based on some strained readings of the Constitution or by weighting some sections to much at the expense of others to fit ideology. These include various measures to protect monopolies by the court, legalize child labor, prevent safety regulation of nearly any kind, battles with Roosevelt and so on.Some may agree with some of these decisions in terms of ideological free market sorts of reasons, but in a full context reading it is hard not to say that many on the Court at this time were biased not by the law but their own views. This is still likely true and always will be whether you agree with the court or not, but it is nicer if they act to protect people that need protecting instead of protecting those already with vast power and resources.

This is a thoroughly entertaining and well written overview, presented in a style that's easily accessible to the layperson, of the Supreme Court's checkered history and performance in the century-and-a-half since Reconstruction. Mr. Millhiser persuasively demonstrates how business interests, aided by sympathetic Justices on the nation's highest court, co-opted the 14th Amendment, which was obviously intended to address the aftermath of slavery and give an abused people true dignity and a real opportunity at self-determination, so that its primary impact was to provide corporate interests with a previously unknown, constitutionally guaranteed, "freedom of contract." What this meant in practice is that the Supreme Court, during it's so-called Lochner era, repeatedly struck down legislation, implemented by the people's representatives in Congress, intended to prevent child labor and perilous working conditions, among other things.Milhiser's thesis is that the Lochner era, which was arguably ended by the threat of Roosevelt's court-packing scheme (although Milhiser, who knows history better than I do, says that it was a fortuitous change of heart that changed the Court's balance, instead), was not an aberration. He demonstrates how arguments carrying the day in several recent Supreme Court decisions,for example, including the Hobby Lobby decision and the decision that stopped just a hairsbreadth short of invalidating the Affordable Care Act, are essentially the same as those that undergirded the Lochner Court's activism in an era where the Court felt free to invalidate any legislation that it considered unwise. Of course, even the novice student of of our Constitutional structure understands that this is not the role assigned to the Court.Does Milhiser approach this material from a progressive/liberal perspective? Unquestionably. Does that diminish the value of his contribution to our understanding of the Supreme Court's actual role in our history? Not one whit, in my opinion. One doesn't have to agree with Howard Zinn's political worldview, for example, to acknowledge that his "A People's History of the United States" has done much to ensure that students of history today are provided with a much more nuanced, and much more realistic,view of our nation's history than the Columbus-was-awesome-and-it-has-gotten-better-ever-since version of history that we older folks were taught in the 1960's and '70s. While I'm not suggesting that Milhiser's "Injustices" will have a similar impact, especially given the overly distracted times in which we live, I am suggesting that his critical assessment of the Supreme Court as a potentially malignant force is worth serious consideration by thinking people.

Mr. Millhiser does a fantastic job of providing insight and history pertaining to the "esteemed" U.S. Supreme Court. History shows how many of the former and current justices are motivated and influenced by their own ideology, prejudices, and social settings. As Millhiser clearly points out, it is less about the law and more about fitting/shaping the law to meet the justices' preconceived notion, prejudice or ideology. This is not to say that all justices are bad, but it does show the fallibility in our thinking that the Court's opinions are supreme - far from it. As more controversial cases are being brought to the Court, it is required reading to the know history of the Court. Knowing the history will help us understand the failures of when it comes to meeting the needs of all citizens and just not the rich, the powerful, and the dominant White male.Given that the Affordable Care Act ruling is upon, along with marriage equality, this book is required reading to understand the mistakes the U.S. Supreme Court made in taking on these two cases, as well as others in the past.

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Product details

File Size: 4470 KB

Print Length: 231 pages

Page Numbers Source ISBN: 0821422316

Publisher: Ohio University Press; 1 edition (October 26, 2016)

Publication Date: October 26, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01KHSOY4M

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Amazon Best Sellers Rank:

#1,104,987 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Dr. Steve Howard's evocative and insightful words give voice to the struggles and joys of the Republican Brotherhood in a way that takes you on a journey to that unique time and place. I was delighted to read about his experiences. I savored each page and enjoyed getting to peek inside his mind and heart. This book is written with the wise mind of a scholar and the heart of a believer--a rare combination.

One may write about one’s travels in Central and Eastern Africa in search of true spiritual Islam.Or one could pen a narrative on the workings of a movement where the teacher/leader was a contemplative visionary and the followers/brothers strive for purity and excellence.Professor Howard’s book, however, is at the intersections of the aforementioned streams. To the disinterested bystander, it is the best window on a unique experience.

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At a time when we have become accustomed to hearing negative things about Islam and Muslims, Howard's Modern Muslims points out the pluralistic nature of this faith. Through interviews and personal experiences, Howard provides an insightful account of the Republican Brotherhood of Sudan. The book is an excellent reference for individuals interested in Islam, Islamic movements, Sudan etc..

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Ebook Download Etel Adnan (Contemporary Painters Series), by Kaelen Wilson-Goldie

Ebook Download Etel Adnan (Contemporary Painters Series), by Kaelen Wilson-Goldie

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Review

"As Wilson-Goldie charts Adnan’s turbulent life, shaped by politics and war, she describes how the artist’s creative output has allowed her to meditate on a difficult past." —Isaac Nugent, review, The Burlington ContemporaryFeature relating to the book launch of the book —interview, Daily Star Lebanon, http://www.dailystar.com.lb/Arts-and-Ent/Culture/2018/Aug-29/461506-book-paints-a-picture-of-etel-adnan.ashx

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About the Author

Kaelen Wilson-Goldie is a contributing editor for Bidoun and writes regularly for Artforum, Bookforum, Aperture and Frieze. She has travelled extensively in the Middle East and North Africa to cover the relationship between contemporary art and political upheaval, writing for newspapers, magazines, journals and books.

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Product details

Series: Contemporary Painters Series

Hardcover: 144 pages

Publisher: Lund Humphries (September 1, 2018)

Language: English

ISBN-10: 1848222661

ISBN-13: 978-1848222663

Product Dimensions:

9.5 x 0.7 x 11.2 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#69,069 in Books (See Top 100 in Books)

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Product details

Paperback: 450 pages

Publisher: Mosby; 5 edition (January 15, 1994)

Language: English

ISBN-10: 0801672600

ISBN-13: 978-0801672606

Product Dimensions:

10 x 8.1 x 0.8 inches

Shipping Weight: 1.8 pounds

Average Customer Review:

1.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#967,953 in Books (See Top 100 in Books)

Outdated and the person that sold it sold it with huge water stains

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