Download PDF Colonial Comics, Volume II: New England, 1750–1775, by Jason Rodriguez
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Colonial Comics, Volume II: New England, 1750–1775, by Jason Rodriguez
Download PDF Colonial Comics, Volume II: New England, 1750–1775, by Jason Rodriguez
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From School Library Journal
Gr 5 Up—Whereas the first volume of Colonial Comics focused on the years 1620–1750, this installment tackles a better-known time period in American history. However, Rodriguez has chosen to examine lesser-known people and events or lesser-known aspects of famous people and events. They also refreshingly highlight stories that focus on the minority and female experience within the New England colonies. Each piece is prefaced by an editorial introduction to the topic. The stories range from five to 13 pages in length and are all by different authors and artists. This leads, as is often inevitable in anthologies, to an uneven quality among the tales. Fortunately, the editorial introductions and spotlights keep the narrative cohesive. Many of the entries would do well to be fleshed out more, and in some narratives, the personages aren't introduced well enough for the action to be clear. However, these instances are minor aberrations and do not detract from the overall book. The graphic novel format will entice reluctant readers who might not otherwise gravitate toward nonfiction, while the short story format will appeal to educators who want to emphasize a particular event or person in a classroom setting while whetting their students' appetites for more. The editorial introductions explain that the stories make use of racial terms that may be jarring to modern readers but are historically accurate. A section on slavery depicts some (appropriately portrayed) nudity. While this title could stand alone, it would be best paired with the first volume, Colonial Comics: New England, 1620–1750. VERDICT This quality work of nonfiction is a strong option for those studying American history.—Elizabeth Nicolai, Anchorage Public Library, AK
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Review
"The stories all stand alone but together, they add up to a well-rounded picture of life in New England in the middle of the 18th century." —Brigid Alverson, School Library Journal"We love the work that editor Jason Rodriguez and Colorado's Fulcrum Press are doing with this series. We hope the books inspire lots of comic-reading history buffs everywhere!" —American Antiquarian Society
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Product details
Age Range: 12 and up
Grade Level: 7 - 6
Series: Colonial Comics
Paperback: 216 pages
Publisher: Fulcrum Publishing (January 16, 2017)
Language: English
ISBN-10: 1682750027
ISBN-13: 978-1682750025
Product Dimensions:
8 x 0.5 x 8 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#608,016 in Books (See Top 100 in Books)
Lots of leeway taken with the actual facts in favor of a fun story. Might work to get young people interested in American history. Seems a cross between young adult book and adult book.
Colonial Comics: New England, 1750-1775 is an anthology of 18 historical comic stories that aims “to focus on the people and events that tend to get ignored in American history classes.†It’s an admirable goal, and one that succeeds, opening readers’ eyes to lesser-known but involving figures and events. Stories such as* “The Devil and Silence Dogoodâ€, by J.L. Bell and Braden Lamb, humorously shows Benjamin Franklin’s early days as a printer’s devil (apprentice) and writer of satire* “A Lonely Lineâ€, by Sarah Winifred Searle and Carey Pietsch, introduces Molly Ockett, a Native American and Maine legend known for her knowledge of medicine*“The Newport Riotsâ€, by James Maddox and Rob Dumo, portrays the coming changes and public protest from the scared perspective of crown officials* “The Grand Illuminationâ€, by Kevin Cooney and Matt Dembicki, illustrates how it’s possible to tweak authority while pretending to honor it in the light of the repeal of the Stamp Act* “The Stranger’s Corpseâ€, by J.L. Bell and Jesse Lonergan, tells of the first American casualty during the Boston Massacre* “The Spunker Clubâ€, by Lora Innes, digresses from politics to look at the mishaps of a group of Harvard medical students trying to option a corpse for their studies* “Join, or Die!â€, by Josh O’Neill and James Comey, sheds light on the first, best-known American political cartoonbring to life the period and make history come alive in a potent time of pending rebellion. Coincidentally, it’s a particularly timely period in analogy, as debates continue today around whose voice should count in determining the future and politics of the country.These stories encourage empathy with a variety of viewpoints, as we see and follow lives, whether humorous or tragic. Each story has a text introduction to put them into context and explain any background needed, which aids in comprehension and understanding why the story was selected. Additional spotlight pages add to the overall historical and regional picture.A final text piece explains how the book’s design was influenced by colonial newspapers, to emphasize how writers fought to influence public attitudes toward rebellion. It’s followed by a bibliography and creator biographies.The variety of comic styles emphasize straightforward figure work and storytelling. The range of tones means plenty of variety for readers, never knowing what they’ll discover next. Although second in the series, readers may find this volume more approachable, as the stories are more dynamic and relate to history they may be more familiar with. (The editor provided a review copy. Review originally posted at ComicsWorthReading.com.)
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